Capra vs. Moore
Callimachus looks at propaganda of the past, and of the present:
Capra's raw material was millions of feet of confiscated or captured newsreels and propaganda films; he even used Japanese samurai movies and domestic dramas from the 1930s. With his legendary cutting-room skills and his eye for bold juxtapositions he made America and her allies shine (including the murderous Soviet Union), and showed off the Axis -- not just its leaders but the whole people of Italy, Germany, and Japan -- as demonic: regimented nations of ruthless killers, blindly devoted to their leaders. The enemies' menace contrasted with the freedoms and accomplishments of the Americans and their allies; the free world and the fascists; the Allied "way of life" vs. the Axis "way of death."
If this technique reminds you of Michael Moore, it ought to. He did the same thing, but with the morality and virtues in photo-negative.